Filters:
Sort by:

Video Views Extra: New Review of an Older Movie

A good match for anyone in search of something to “binge watch” from a time long before that phrase was ever used for productions of this length.

Run Time: 2:10
U.S. Home Release Date: 2019-02-11
MPAA Rating: "PG" (Sexual Content, Profanity)
Genre: Comedy
Director: Hal Ashby
Cast: Peter Sellers, Shirley MacLaine, Melvyn Douglas, Jack Warden, Richard Dysart, Richard Basehart, Ruth Attaway, David Clennon

The film has stood the test of time remarkably well, seemingly as fresh and relevant today as when it was first released.

Run Time: 2:07
U.S. Home Release Date: 2019-02-16
MPAA Rating: "PG" (Violence)
Genre: Thriller
Director: Costa-Gavras
Cast: Yves Montand, Irene Papas, Jean-Louis Trintignant, Pierre Dux, George Geret, Charles Denner, Bernard Fresson

"Z" doesn’t merely stand the test of time; it transcends it. Watching it today, it’s an eerie, unsettling experience.

The cliche "it's so bad, it's good" doesn't apply here. "The Star Wars Holiday Special" isn't enjoyable on any level, campy or otherwise. It's just ugly, painful, and boring.

Brand New to Video Views

Run Time: 1:20
U.S. Home Release Date: 2019-02-05
MPAA Rating: "PG"
Genre: Animated
Director: Yarrow Cheney, Scott Mosier
Cast: Benedict Cumberbatch, Cameron Seely, Rashida Jones, Kenan Thompson, Pharrell Williams

“Hollow cash grab” is one way to describe "The Grinch." Equally appropriate would be “soulless abomination.”

A kluge of bad science and worse science fiction clichés, it tries to be atmospheric and scary but succeeds only at being frustrating and tedious.

What saves "Bohemian Rhapsody" from being an historically inaccurate train wreck is the strength of the musical sequences, which are electric.

A generic espionage/crime thriller; although briskly paced, the plot is far from airtight and demands a deus ex machina to reach its climax.

Well-made but uneven, "The Front Runner" is a less a film for general movie-goers than for political junkies.

Even the most hard-hearted viewer is likely to have an emotional reaction; this is as much a testimony to the way Cooper tells the tale as to the story itself.