Light on backstory and details and strong on adrenaline and testosterone...not unlike the three films that came before it.
Although entertaining throughout and occasionally moving, the film is less an epic drama than an historically-based soap opera.
The cast is top-notch and the characters are sufficiently likable but the movie’s vanilla narrative repeatedly offers unsurprising plot points.
Although there are numerous problems with "Fifty Shades Freed," the fundamental one is also the most obvious: the lack of a compelling story.
Despite some great acting, this is a largely unpleasant viewing experience and the downbeat tone isn’t helped by a narrative that flits back and forth in time without rhyme or reason.
After 20 years, its depictions of war and how men are molded by war have lost none of their power.
The most compelling reason to see "The Foreigner" is Chan, whose step into new territory reveals things we haven’t previously seen from him.
One of the most honest films about young childhood to reach theaters in several years.
A mediocre remake of a mediocre original – not exactly must-see cinema. "Flatliners" is dead on arrival.
Whatever small pleasures it may offer are wiped out by the frustrating sense of incompleteness that accompanies the arrival of the end credits.