It’s strangely refreshing to watch a courtroom drama where theatricality doesn’t trump meticulous examination.
"The Girl on the Train" doesn’t derail but it’s not the smoothest of rides.
Harrowing, compelling cinema - perhaps not as wrenching as "12 Years a Slave" but not far removed.
An awkward and unappealing mix of mismatched parts that doesn’t generate enough laughs to make it feel like anything other than a waste of 90 minutes.
A fresh and engaging storybook adventure that should appeal to viewers both inside and out of the core demographic.
"Deepwater Horizon" is structured not so much as a fictionalized chronicle of actual events as it is an old-fashioned disaster movie.
With two better versions of this story readily available, why bother with this mediocre re-telling?
"Blair Witch" seems more like a pale homage than a new chapter to the saga.
"Bridget Jones’s Baby" exceeds expectations and, as a result, makes us willing to forgive the delay in bringing the character back to theaters.