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In 2019, Sony Pictures gambled that sufficient nostalgia still existed for The Addams Family for a new motion picture iteration (animated, based on the cartoons of Charles Addams) to be lucrative. The producers who greenlit the production were...

Since debuting in a 1938 issue of New Yorker magazine, Charles Addams’ illustrated characters have become one of America’s most recognizable nuclear families. Although there have been approximately a dozen incarnations over the years, the ...

More than 30 years ago, the template established by Animal House for college age comedies became a recognized standard. However, although the Animal House approach is a good way to get cheap laughs, it falls apart when anything more substantive is...

Ho, ho, ho - the joke's on anyone who pays to see this. Twentieth Century Fox has left movie-goers a steaming turd under the Christmas tree. Aliens vs. Predator: Requiem (which will hereafter be called by its "clever" marketing moniker, AVPR, sin...

American Pastoral is another in a long line of movie adaptations of revered novels that lose something significant in their translation from page to screen. Although it’s not possible to argue that Philip Roth’s 1997 Pulitzer Prize-winnin...

Most remakes are unnecessary but Annie is a bigger offender than many. Reeking of redundancy, the film not only proves incapable of overcoming the inevitable sense of déjà vu but, despite a host of cosmetic changes, it fails to answer the questio...

In the Magic Kingdom, they must be getting nervous. For years, Disney has had a death grip on the animated market, but, as we enter the latter years of the 1990s, the corporation that gave us Bambi and Snow White is finding their dominance cha...

Aquaman is a reminder of the meager pleasures that can be gained from a generic superhero movie. Devoid of the complex plotting, comprehensive world-building, and narrative twists that defined Marvel’s two big 2018 superhero movies, Black Pa...