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Bob Marley: One Love begins with an oddity: Ziggy Marley, the son of the title character and one of the film’s producers, appears on screen to inform viewers that what they’re about to see represents an “authentic” depiction of Bob Marley....

Watching The Color Purple, there were times when the split personality was enough to pull me out of the experience. Musical stage adaptations of serious novels can sometimes work because of the immediacy of the audience and the reality of the ...

John Woo directing a revenge-themed thriller…what could be more perfect? After all, Woo is a living legend for his acclaimed action films, The Killer and Hard Boiled, even if his English-language movies haven’t been on quite the same level. St...

May December, loosely based on the Mary Kay Letourneau scandal from the late 1990s, examines the long-term impacts on the lives of those involved in an adult/child sexual relationship that evolves over a lengthy period. As presented through the le...

Fingernails, the English-language debut of Greek director Christos Nikou, boasts some intriguing ideas but the execution is (at best) uneven. With an uncertain screenplay and poor world-building, the film relies almost exclusively on the performan...

The Equalizer 3 is being advertised as the conclusion of a trilogy, although it’s really just a “more of the same” sequel, which can be a good thing for those who enjoyed the first two installments. Director Antoine Fuqua and star Denzel Was...

The last time Nicolas Cage bared his fangs – in 1988’s Vampire’s Kiss – his performance was widely criticized (and, in some circles, praised) for being outlandishly campy. Now, some 35 years later, Cage has channeled the same zany zeitgeis...

Remember how Liam Neeson made it an annual tradition to release a cheesy action/thriller every January or February? Well, Neeson appears to have retired from that business leaving the door wide open for Gerard Butler to step through. Butler has th...

I’ve long since given up asking the question “Why?” when it comes to filmmakers turning to foreign language films for the storylines of new English-language films. Sometimes, in fact, the results can be quite satisfactory – take the 2022 r...

Televangelism and those who practice the dubious form of money-driven religiosity represent low-hanging fruit when it comes to satire. A lot of the material – Jimmy Swaggert crying crocodile tears, the eyes of Tammy Faye, etc. – comes across a...