Movies starring Marcia Gay Harden

Miller’s Crossing, the Coen Brothers’ third film (following Blood Simple and Raising Arizona) introduced the kind of comedically-tinged approach they would employ for some of their darkest and most compelling films, including the criticall...

It is, as they say, what it is. Fifty Shades Darker, the sequel to the critically panned but fan-loved Fifty Shades of Grey, will likely satisfy those who liked the first film (or the books upon which the movies are based) while distancing everyone e...

Working at his current pace, Woody Allen delivers one film per year. Unfortunately, it has been decades since Allen's endeavors have been consistently good. In fact, even as far back as the 1990s, quality movies have been more the exception than th...

Whip It, the directorial debut of actress Drew Barrymore, is a sports film that uneasily straddles the divide that exists between comedy and drama. Built upon a mountain of clichés, the screenplay wallows in artificiality and, although some of th...

With Mystic River, Clint Eastwood has rebounded nicely from the failure of his mediocre previous effort, Blood Work. Absent from the screen but behind the camera for the first time since Midnight in the Garden of Good and Evil, Eastwood concentrat...

It's something of a mystery how three accomplished comic actresses like Diane Keaton, Goldie Hawn, and Better Midler found themselves in the midst of an atrocious mess like The First Wives Club. My best guess is that the story looked better --...

There's something seductive about the idea of turning one's back on civilization and all its trappings. Many of us entertain this thought during a daydream or in those gentle minutes between wakefulness and sleep, but we don't view it as the act of...

In the tradition of Shattered Glass and Catch Me if You Can, The Hoax presents the anatomy of an audacious con artist and illustrates how the sin eventually catches up with the sinner. Due to an uneven tone, various unresolved plot threads, and a ...

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...

Is it possible to satirize something that, in and of itself, often crosses the line into self-parody? That's a question that American Dreamz attempts to address. The objects of Paul Weitz's lampoon are two ripe ones: American Bush and American Id...