Movies with cinematographer Brandon Trost

Here's a film that evokes, at different times and in different ways, Joe Versus the Volcano, Brazil, and Taxi Driver. It's an effective and affecting movie about the crushing power of office servitude and the soul-sapping impact of office politics...

When it comes to the pantheon of the Worst Movies Ever Made, there are only a few challengers to the title claimed by Plan Nine from Outer Space. One of those is Tommy Wiseau’s universally derided 2003 debut feature, The Room. Instead of fad...

It’s the early 1990s and Lee Israel (Melissa McCarthy) is already well past her sell-by date. An author specializing in biographies (she once landed on the New York Times bestseller list for one she wrote about game show panelist Dorothy Kil...

By the time September arrives, This is the End will probably be in the running for "funniest comedy of the 2013 summer." The end-of-the-world comedy packs more humor into its 107 minutes than many other contenders (Hangover III and The Internship, ...

Neighbors contains many of the qualities that make raunchy, profane comedies a popular commodity: sex, T&A, drugs, a barrage of four-letter words, and slapstick of the broadest kind. At first glance, one might be tempted to lump Neighbors into the ...

Crank 2: High Voltage is the freak show act at a carnival. It's so over-the-top that the phrase ceases to have meaning in this context. It's a bizarre concoction of testosterone, adrenaline, and psychedelics. It seeks not only to top its predece...

That Awkward Moment exudes an "old school" romantic comedy vibe. (Since it borrows from Shakespeare's Love's Labour's Lost, the "old" really applies here.) The script has an '80s/'90s sensibility wrapped in a layer of lewd, crude, rude packaging. S...

Popstar, a collaboration between Judd Apatow and Saturday Night Live alum Andy Samberg, is the latest movie to satirize aspects of popular culture (in this case, the music industry). And, although this might have been considered cutting edge 20 or 30...

While watching Dear Evan Hansen, I was reminded of the 1994 film I’ll Do Anything. Originally designed as a musical (with eight songs by Prince), the decision was made in the editing room to release the Nick Nolte vehicle as a straight drama...

It’s the same sad story: a small movie becomes an unexpected success and, for purely financial reasons, a sequel is commissioned. The follow-up proves not only to be creatively bankrupt but a disappointment on all levels and thereby tarnishes t...