Movies with cinematographer John Toll

The crown jewel of 1995's summer blockbusters appears to have arrived early. It's hard to imagine any motion picture released between now and August matching Mel Gibson's Braveheart for spectacle. With its clashing armies, heartstopping action, a...

Legends of the Fall is the sort of epic melodrama that only Hollywood can do this well. It's a spectacle more than a show, with soaring moments of triumph and tragedy. Words like "restraint" and "subtle" are meaningless in this context. The late...

One of the best reviewed movies of 2000, Almost Famous is sure to appear on many critics' end-of-the-year Top 10 lists. A number of respected voices have already declared this to be the best film of the year. However, although there's no doubt th...

Gone Baby Gone is powerful stuff - a movie that derives its plot twists from moral conundrums rather than from narrative sleight of hand. The best mystery novels are the ones that use the genre as a stepping-off point for developing characters and...

It's a genuine pleasure to come across a motion picture like The Last Samurai - a rousing tale that combines high adventure with emotional effectiveness. This movie works because it never loses sight of the characters no matter how epic the scope ...

Harriet Tubman’s story as presented in Kasi Lemmons’ new feature, Harriet, is inspirational and crowd-pleasing. One of the most heroic figures on the mid-19th century abolitionist movement and the best remembered conductor on the Undergrou...

It has been several years since I've read a book by John Grisham (I believe the last one was The Client). After three or four of Grisham's novels, I grew tired of the predictable repetitiveness and contrived suspense of the narratives. As a resul...

Just when it was starting to look like the concept of a "funny comedy" has gone out of vogue, along comes Pineapple Express and its cinematic cousin, Tropic Thunder. The latter film, which has emerged from the warped mind of Ben Stiller, is a litt...

For Nancy Meyers, whose Hollywood career began with screenplay and producer credits for Private Benjamin and whose first stint behind the director's chair occurred in 1998 with the Lindsay Lohan remake of The Parent Trap (back when Lohan was still ...

Perhaps the most surprising thing about The Adjustment Bureau is that, irrespective of the misdirection of the trailers and T.V. spots, this is more of a romance than a science fiction thriller. That's not to say the Twilight Zone aspects of the mo...