Movies in the Drama/Comedy genre

At the heart of The Holdovers lies a cliché – something about life-lessons imparted and accepted from a mismatched companion – but the manner in which director Alexander Payne and writer David Hemingson approach this familiar trope imbues it ...

Dumb Money is many things but one thing it isn’t is “dumb.” An engagingly lighthearted rags-to-riches romp with a David vs. Goliath element, the movie uses its real-life basis to formulate a modern day fairy tale. It’s easy to criticize th...

In the 1970s, Judy Bloom broke onto the scene with several popular young adult books. Later in her career, she added mature novels to her resume (with frank depictions of adult sexuality that shocked some who were familiar with her preteen-oriente...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...

Good Luck to You, Leo Grande is all about sex. There are no two ways around it – from start to finish, this is about what happens (and doesn’t happen) between the sheets (or on them, or on the carpet, or…). It’s about blowjobs and orgasms....

It has been nearly a decade since Woody Allen last made an enjoyable movie (that distinction would go to either 2011’s Midnight in Paris or 2013’s Blue Jasmine, depending on individual preferences). Since then, over the span of five feature...

Despite its share of missteps (the most egregious of which unfortunately occurs late in the proceedings), Limbo is just weird and wonderful enough to earn a recommendation. What starts out as an exercise in absurdist and surreal comedy turns i...

I’m tempted to call Together Together a romantic comedy because it has some of the rhythms one commonly associates with the genre. However, that would be mislabeling Nikole Beckwith’s sophomore film. Although there is love and affection in...

As long as there will be movies, new adaptations of beloved classics will follow. The important aspect for every director to remember is to find a unique angle – a change in tone, a different slant to the narrative, a shift in setting, etc. ...

In 2014, Japanese director Hirokazu Kore-eda’s Like Father, Like Son missed the #1 spot on my annual Top 10 list by a whisker (it was one of three films that year to which I awarded four stars). A few years later, his Shoplifters topped the l...