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The Nutcracker and the Four Realms is a miscalculation of Magic Kingdom-sized proportions. Designed for and targeted at prepubescent girls, the holiday-themed fantasy adventure drowns in CGI, underdeveloped characters, and a plot utterly devoi...

It's easy enough to label Promised Land as the "anti-fracking movie" because, ultimately, that's what it becomes. Before the overtly political, sloppy ending, however, there are some interesting dynamics at play here about how corporations operate ...

I’ll be the first to admit that not everything in Saltburn works and, during some of the cringe-inducing instances when it fails, it does so rather spectacularly.  Yet Emerald Fennell’s film is just bonkers enough to be wildly entertainin...

Emerald Fennell’s Wuthering Heights opens with a promise the rest of the film is ultimately unable to keep. It begins with the spectacle of a mid-19th-century public hanging—an event that conflates death with lust, instantly drawing the vi...