ReelViews for PG movies

If you love movies, it's impossible not to appreciate Cinema Paradiso, Giuseppe Tornatore's heartwarming, nostalgic look at one man's love affair with film, and the story of a very special friendship. Affecting (but not cloying) and sentimental (b...

City of Ember has almost anything one could want from a science fiction-based family adventure film: likeable characters, an imaginative setting, and a fast pace. The third item on that list is notable. Recognizing that children often have limite...

On the surface, Clash of the Titans would seem to be mixed using a sure-fire recipe for success, so where did things go wrong? How did a film that should have captured the imagination of the young Star Wars generation end up failing? Some of it h...

In late 1977, everyone seemed to believe this. Although UFOs have been a popular subject for speculation, rumination, and investigation for more than 50 years, at no time was the phenomenon more popular than during the 1970s. Along with the Loch ...

When Clue was released around Christmas 1985, it was intended to spearhead a wave of based-on-board game movies. The film’s box office failure, coupled with poor critical notices and lukewarm viewer response, stopped the “craze” before i...

In terms of content, if not style, Coal Miner’s Daughter would fit with the spate of musician-related biopics that have dotted the recent landscape. And, although central figure Loretta Lynn (Sissy Specek) never had the same kind of Billboard To...

You know an animated film is doing something right when it brings tears to the eyes. Coco may not represent Disney/Pixar at its pinnacle but it’s close enough to the top to warrant consideration as the best computer-drawn film of 2017. Of cou...

It has been a long time since I came as close to walking out of a movie as I did with Confessions of a Shopaholic. Not only did I find this production to be irritating, unfunny, and lacking in entertainment value, but I found its underlying slavis...

Henry Selick has a particular sensibility and, when choosing material for his movies, he seeks stories that fit into the slightly twisted, quasi-fairy tale realm where he feels comfortable working. Thus, in the past, he has collaborated with Tim B...

Note: I suppose the official title of the movie is Tim Burton's Corpse Bride, presumably to distinguish it from William Shakepeare's Corpse Bride or Jane Austen's Corpse Bride. The wordiness seems silly so, for the purposes of this review, the fil...