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This is an angry movie. When I write angry, I mean angry. At times, it comes across as a rant against celebrity-obsessed pop culture, reality TV, uncivilized interpersonal interaction, and the sense of entitlement that permeates modern society. Wri...

A companion piece in the truest sense of the term, The Godfather Part II garnered as much adulation as its predecessor, if not more. Receiving twelve Academy Award nominations, and again winning Best Picture (and this time Best Director for Coppol...

Eighteen years after the first screenings of The Godfather, the long-awaited third and final chapter reached theaters. That it proved unable to fulfill expectations was a predictable - if somewhat disheartening - result, given the sixteen year bui...

Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movie...

Frankenstein. The Old Dark House. The Invisible Man. The Bride of Frankenstein. Show Boat. Although this may sound like one of those "which doesn't belong" games, there is a common element to all five '30s motion pictures - they are the en...

The concept of a movie being “so bad it’s entertaining” is often employed as a way of disparaging a film that doesn’t work in the way the director planned. It’s a valid description but the word to focus on is entertainin...

Where Roland Emmerich and Dean Devlin failed spectacularly, Gareth Edwards has succeeded. Although the 2014 edition of Godzilla isn't the be-all and end-all of monster movies, it's a respectable big-budget effort. Most importantly for legions of f...

Godzilla is the ultimate culmination of the "who cares about plot" summer movie. A loose remake of the 1954 "classic" Japanese monster movie, Godzilla, King of the Monsters (which is itself pretty thin in the story department), Roland Emmerich...

The original Godzilla (or Gojira, as its die-hard adherents refer to it), released in Japan during 1954, officially ushered in the Japanese movie monster craze that would, in due time, become a subgenre all to itself. When the film reached U.S. shor...