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By 1952, movie-goers knew exactly what to expect from a Western: a clean-cut, self-assured hero facing down a good-for-nothing villain in a climactic shoot-out, lots of action, gorgeous scenery, and not much in the way of thematic depth. This was...

It has taken Hollywood more than fifty years to produce a rebuttal to Arthur Penn’s classic Bonnie and Clyde. In the romanticized 1967 gangster film, law enforcement in general and Frank Hamer in particular were portrayed as bumbling up until...

The story of celebrated cellist Jacqueline du Pré is too good not to have been made into a movie. However, the most gratifying thing about director Anand Tucker's Hilary and Jackie is that it not only does it tell the tale, but does it so a uniqu...

One could make a solid argument that the 2006 remake of The Hills Have Eyes is superior to the 1977 original. The story has been tightened up, the acting is better, and the blood-and-gore effects aren't as hokey. Unfortunately, the biggest stumbli...

Although director Alain Resnais was never a card-carrying member of the French New Wave, his films influenced those who were (in particular, Godard, Truffaut, and Rohmer). Stylistically and thematically, Hiroshima Mon Amour remains one of the ...

For an action comedy, it's generally advisable that the movie be (a) exciting, (b) funny, or (c) both of the above. In the case of Hit & Run, the unfortunate choice is (d) none of the above. A slow, meandering misfire of a movie, this co-directoria...

Hitchcock could be construed as a misleading title for this motion picture. A better name might have been The Making of Psycho, although that might have led to confusion with a DVD supplemental feature. Director Sacha Gervasi's film looks at the li...

1986's The Hitcher is not representative of a classic of the 1980s horror boom, so the decision by Michael Bay and company to re-make it is merely unnecessary, not sacrilegious. 20 years later, the original stands up well; there is no need to re-i...

The Hitman’s Bodyguard is a throwback to the mixed-race buddy films of the 1990s. Think Bruce Willis/Damon Wayans in The Last Boyscout or Willis (again)/Samuel L. Jackson in Die Hard with a Vengeance. Those movies, and others like them, emph...

Four years ago, when I reviewed The Hitman’s Bodyguard, I described it as a fun throwback to the mixed-race buddy pictures of the late 1980s and early 1990s. Due in large part to the combustible chemistry between lead actors Ryan Reynolds (w...