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It has been four years since the events depicted in Michael Mann's The Insider occurred. Actually, to be precise, it has been four years since some of them occurred. In the interests of drama, a certain amount of "fictionalization" has taken plac...

If there's a complaint to be made about Insidious, it's that the film's second half is unable to live up to the impossibly high standards set by the first half. This isn't unusual when it comes to films that include a "reveal"; even Jaws lost a sha...

Insidious: Chapter 2 illustrates that, regardless of his past success in the horror movie field, James Wan is not infallible when it comes to the genre. The second installment of what is likely to become a franchise is disappointing precisely becau...

They say the third time's the charm.  Not with the Insidious series, it isn't.  Admittedly, installment #3 is an improvement over #2, but it fails to reach the highs of the chilling-but-uneven original. Instead of using the stinger ...

This is what horror has become in 2018: a jump-scare fest where things like suspense and slowly-building dread have been pushed to the side. Darkness passes for atmosphere and intensity is bypassed because it’s too strong for the all-importa...

In my review of Divergent, the opening installment of the four-movie series of which Insurgent is the second part, I wrote the following: "As an entry point into a new world, Divergent provides a worthwhile portal. This is the kind of reality an...

If The Intern had confined itself to the unlikely relationship that develops between thirtysomething entrepreneur Jules Ostin (Anne Hathaway) and seventy-year old retiree Ben Whittaker (Robert DeNiro), it might have worked. Unfortunately, writer/dire...

Perhaps The Internship might have worked eight years ago, had it been released in the wake of the unexpected success of Vince Vaughn and Owen Wilson's Wedding Crashers. (Emphasis on the word perhaps - this movie wouldn't have been any better in 200...

Christopher Nolan has never shied away from a challenge and the one he has taken on with Interstellar may be his most prodigious thus far - bigger than delivering an end-to-start chronology in Memento, more impressive than the mind-bending contortion...

Francis Ford Coppola's Dracula. Mike Nicols' Wolf. Kenneth Branagh's Frankenstein. Suddenly, horror of the old genre (as opposed to the '80s slasher flicks) is back with a vengeance. The latest, and arguably the most ambitious, to enter this p...