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Although it’s being marketed as a love story, The Aftermath is more about grief and recovery than romance. In fact, the film’s illicit relationship is a cold, passionless affair that generates as much heat as a dying ember in a snowstorm. ...

Note: This review includes spoilers for the movie Interstellar, believe it or not. The Age of Adaline wants viewers to think of it as a modern-day fairy tale. Such a conceit, however, can be seen as an excuse for slipshod writing. The need to judg...

It's New York City in the 1870s, a society ruled by expectations and propriety, where a hint of immorality can bring scandal and ruin. This is an America every bit as Victorian as her contemporary England. Into this world arrives Countess Ellen O...

A ragtag column of men, many dressed in full armor and others lugging an enclosed sedan chair, wend their way down a treacherous mountainside path. This is the first image we see in Werner Herzog’s Aguirre, the Wrath of God. He holds it for n...

Airplane! has not aged well. The fine wine hasn't turned into vinegar but it's not as pleasant to the palate as it once was. Viewed more than 25 years after its initial release, Airplane! retains the capacity to tickle the funny bone, but someone u...

Perhaps the most appropriate word to describe Disney’s 2019 re-make of their 1992 classic, Aladdin, is “unnecessary.” “Pointless” might also apply. Although those terms could be employed for a host of remakes, they are more apt here ...

One wonders what Disney is going to come up with next, and whether they'll be able to continue at the high level of quality attained by their recent batch of films. 1989's The Little Mermaid is nothing short of delightful, and Beauty and the Bea...

If you take away Albert Nobbs' twist, all that's left is a project that would have been at home on Masterpiece Theater during its heyday. It's the "downstairs" portion of Upstairs, Downstairs - a tale of servants and service during the twilight of ...

Alex Cross, loosely adapted from the novel Cross by James Patterson, has all the earmarks of something contorted and condensed to fit into the 100-minute time limit imposed on mass marketed motion pictures. Parts of the movie feel inexcusably rushe...

Ali, Michael Mann's attempt to chronicle ten pivotal years in the life of former heavyweight boxing champion Muhammed Ali, suffers from the most common ailment of motion picture biographies – trying to do too much in a limited time. While Al...