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Life Itself starts out with great promise – a dizzying first act that creates the tapestry of a character’s life by offering a kaleidoscope of moments from his past. It’s poignant, effective, and punctuated by actions that are breathtaki...

"There are no guarantees. But there is also nothing to fear. We come from oblivion when we are born. We return to oblivion when we die. The astonishing thing is this period of in-between." -- Roger Ebert When Steve James, the acclaimed director ...

The Life of Emile Zola was the second biographical motion picture to win the Best Picture Oscar, following the previous year's The Great Ziegfeld. Although The Great Ziegfeld was in many ways better received during the '30s - in part because of th...

Life of Pi is a curious juxtaposition of the mundane and the majestic; a film that strives for something grander than what it perhaps achieves. At times, the simple story - one of spirituality and survival - exudes a quiet, hypnotic power, but ther...

Life of the Party is the third collaboration between actress Melissa McCarthy and her director husband, Ben Falcone. Next to this, Tammy and The Boss seem like Hamlet and King Lear. After suffering through the abomination named Identity Thief,...

The Light between Oceans is unquestionably a tear-jerker. As the film draws to its bittersweet conclusion, dry eyes will be few and far between. But, as manipulative as it is, the narrative also poses its share of intriguing philosophical questions. ...

The Lighthouse is an unconventional thriller that combines claustrophobic elements such as those found in submarine movies with the isolation aspects of productions like Cast Away. While exploring the strained interpersonal relationship betwee...

The Lighthouse starts out as a moody, introspective exploration of loneliness and interpersonal communication and develops into an existential horror movie. Although I don’t think the ending quite works, the film grows more unsettling as it ...

Fear of the dark - few phobias are more common across the spectrum of modern society. Horror, in all its shapes, sizes, and forms, often works by exploiting this. It’s an underpinning of vampire stories and almost all horror films save their go...

Like Crazy is a love story, but not one of those pie in the sky/love conquers all romances. Instead, it's a little more down-to-earth. It eschews Hollywood formulas and seeks to turn a less rose-tinted lens upon the concerns of the protagonists. Al...