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Mortal Kombat was made with fans in mind and, as such, it has little time or patience with those who come to it without the prerequisite background. 40% fight scenes and 60% fan service, Simon McQuiod’s slash-and-gore fest will leave the uni...

A Most Violent Year is a throwback - an homage to or recreation of the kinds of movies made by Martin Scorsese and Sidney Lumet during the 1970s. The setting isn't coincidental - J.C. Chandor's film transpires on the mean streets of New York ...

Whenever a movie is released that seeks to tantalize the taste buds through the sheer force of its visual imagery, most critics feel duty-bound to advise potential viewers not to see the film on an empty stomach. That warning applies here, althoug...

Kudos to Darren Aronofsky for having the courage to make this film. Kudos to Paramount Pictures for having the guts to open this wide rather than burying it or hiding it as a VOD release. It’s too bad it doesn’t work.With mother!, Aronofs...

Something went wrong (or got lost) in the translation of Graham Swift’s novella to the movie adaptation, directed by Eva Husson from a screenplay by Alice Birch. There’s no debating that the finished product looks gorgeous, with all credit due...

Baz Luhrmann's Moulin Rouge is a rigorously accurate historical account of events that occurred during the period between 1899 and 1900 in Paris' infamous Moulin Rouge nightclub. Luhrmann's meticulously researched motion picture uncovers several s...

It’s hard to imagine a more generic wilderness adventure-turned-romance than Hany Abu-Assad’s The Mountain Between Us. Saved from the cinematic purgatory of direct-to-video by the screen presence of Idris Elba and Kate Winslet and some spe...

When The American President was released, many knowledgeable movie-goers commented how the sentimentality of its "feel good" storyline recalled the work of director Frank Capra. Now, with Mr. Holland's Opus, another Capra-esque motion picture has ...

Mr. Turner, Mike Leigh's chronicle of the last 25 years in the life of painter J.M.W. Turner (Timothy Spall), is most notable not for its slow pacing, outstanding acting, or accurate period detail, but for the cinematography by Dick Pope. Pope, w...

Mrs. Brown is a love story much in the same vein as Carrington in that it deals with platonic affection that runs deeper and truer than that of the motion picture staple romantic variety. These days, it seems that whenever we see a male/female...