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Calling The Angry Birds Movie an “animated film” is giving it airs. It’s a cartoon. Deal with it. Family-friendly motion pictures, whether live action or computer-drawn (the hand-drawn versions are no longer being made), fall into one of sev...

Like Frankenstein and Hamlet, Anna Karenina is a literary touchstone that filmmakers return to on a regular basis. The first filmed version of the book was a 1910 German silent which has long since been lost to the ages. It was released shortly bef...

The Conjuring “franchise” rolls on, with another cash-grab further tarnishing the reputation of what offered one of the best one-two punches of any horror duo. Monetization of James Wan’s universe has led to a large number of subpar spin...

A breath of fresh air? Or a pretentious mess? Perhaps a little of both. It’s easy to see why a mainstream viewer might quickly lose patience with Annette but I found the film’s embrace of unconventionality to be bracing and energizing…at...

Most remakes are unnecessary but Annie is a bigger offender than many. Reeking of redundancy, the film not only proves incapable of overcoming the inevitable sense of déjà vu but, despite a host of cosmetic changes, it fails to answer the questio...

In today’s climate, it may no longer be in vogue to offer a laudatory assessment of Woody Allen’s 1977 Oscar-winner, Annie Hall but, dammit, this is a really good movie and doesn’t deserve the opprobrium it sometimes receives because of ...

Science fiction means different things to different people. For some, it’s the quasi-fantasy/space opera of Star Wars. For others, it’s allegorical space-faring material like Star Trek. And for still others, it encompasses a strongly techni...

Anomalisa offers evidence that animated films are not necessarily the sole province of children. In fact, this one isn’t even designed for all adults. Charlie Kaufman has always been something of an acquired taste. Anomalisa highlights Kaufman at h...

You don’t have to look too far or to deep to find the similarities among writer/director Andrew Niccol’s three science fiction films (I’m ignoring The Host, which is more Stephanie Meyer than Niccol). Like Gattaca and In Time, Anon boas...

Those who question the authorship of Shakespeare's plays are like Climate Change deniers - despite being in a minority, they are tenacious and passionate. Though a surfeit of facts are against them, they are able to make some good points that the o...