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A combination of fanciful conjecture and historical fact, Professor Marston & the Wonder Women represents not only a historical primer on sexual repression during the first half of the 20th Century but unlocks the code to “understanding” wh...

There’s something distinctly off-putting about Johnny Depp’s dying-from-cancer movie, The Professor (original title: Richard Says Goodbye). It has to do with the idea that someone, once given a death sentence resulting from metastatic lun...

Profile belongs to a burgeoning genre of low-budget films that have collectively been dubbed “screenlife” movies. The natural successor to “found footage” productions, these narratives are presented entirely on a faux computer screen, ...

Call Project Almanac a "shaky-cam special", and it's a damn shame. The resultant production, both shaken and stirred, transforms a potentially entertaining pulp time travel story into a misbegotten exercise in frustration. It takes what...

The moral of this story is: No matter how trustworthy he may be, never leave a teenager home alone while you go away for the weekend. Project X purports to offer a new twist on a very old tale: the out-of-control house party. Variations of this ...

In 1979, science fiction was thriving, but the movie community, becoming gorged on lightweight space opera fare like Star Wars, was unprepared for what Ridley Scott delivered with Alien, which was as much horror as it was sci-fi. Since the iconic x...

What begins as seemingly an old-fashioned war film set during the waning years of the Ottoman Empire quickly turns into a dark exploration of the Armenian genocide. This litany of atrocities, unknown to many today and denied by the Turkish gov...

It's easy enough to label Promised Land as the "anti-fracking movie" because, ultimately, that's what it becomes. Before the overtly political, sloppy ending, however, there are some interesting dynamics at play here about how corporations operate ...

Proof, the debut feature that earned Australian director Jocelyn Moorhouse a chance to make studio films in America (How to Make an American Quilt, A Thousand Acres), was one of 1991's best-kept secrets. Although the movie received a small U.S. ...

Every once in a while, someone gets the bright idea of making an apocalyptic horror film. The Omen series is probably the best-known example of this sub-genre, but it's not the only one. Now, The Prophecy, with its tale of warring angels and lost...