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Back toward the beginning of her career, a then- 29 year old Helen Hunt appeared in a movie called The Waterdance. The film dealt frankly with the way disability impacted the sexual relationship between her character and the one played by Eric Stol...

Frequently, mystery/thrillers present us with a cast of about six or seven characters, set up a sequence of grizzly murders, then "surprise" us by revealing which of those six or seven characters is the guilty party. It's a time-honored method...

For about 75 minutes, Seven Psychopaths is a rollicking good movie - kinetic, clever, funny, and brutal. Then, inexplicably, it falls apart. Perhaps writer/director Martin McDonagh (In Bruges) didn't know how to end it, or perhaps his attempts to d...

The most popular cinematic export from Japan is inarguably the samurai movie. Whole books have been devoted to the genre, and more than one mail-order video business has made a tidy profit shipping samurai tapes and DVDs around the world. The mos...

Had Seventh Son been released in the 1980s, it would have been deemed an adequate - perhaps even good - fantasy adventure. However, in the three decades since Conan the Barbarian and Dragonslayer defined the genre's best big screen attempts, ther...

"Movies for fans" (as distinguished from "fan-made movies") - motion pictures targeted primarily at aficionados of a series and secondarily at the public - have been around for decades, but never has one been as openly dismissive of the general mov...

Two fundamental problems afflict Sex Tape (aside from the fact that it's not consistently funny): a shocking ignorance about the state of modern technology and a mistaken belief that the subject matter is inherently edgy. The screenplay is disappoi...

Shadow Conspiracy marks Charlie Sheen's second consecutive conspiracy thriller. Of course, there are several notable differences between this and The Arrival, the most obvious of which has to do with basic quality. For, while last summer's alien ...

Shadow of a Doubt is a Hitchcock film that doesn’t necessarily feel like a Hitchcock film. That doesn’t mean it’s not a bona fide classic but many of the tropes that would come to be identified with the Master of Suspense are conspicuously a...

"What was [Joy] to me? She was my daughter and my mother, my pupil and my teacher, my subject and my sovereign; and always, holding all these in solution, my trusty comrade, friend, shipmate, fellow-soldier. My mistress; but at the same time all ...