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Does anyone remember the 2002 animated film Spirit: Stallion of the Cimarron? I didn’t either until I looked it up. That nearly-two decades old hand-drawn movie provided the basis for the apparently popular Netflix series Spirit Riding Free ...

To animators across the world, Hayao Miyazaki is a god. Within the animation community, his work is revered, and fans of “anime” (Japanese animation) await each new Miyazaki film with the same degree of ill-concealed impatience as displayed by...

One of the great benefits of a strong worldwide communication web is the ability to explore corners of the cinematic universe previously unavailable. Despite having a recognizable international cast, a well-known director, and a story that wou...

Unimaginative horror movies are a dime a dozen, but overlong, boring, unimaginative horror movies? Those are rare. However, in Split, that’s what writer/director M. Night Shyamalan has provided the early 2017 movie-going populace. Since his suc...

Spotlight is a Valentine to investigative journalism and a stark reminder of where we’re headed now that this brand of writing has become an endangered species. The film is unique in that it focuses almost entirely on the process. The character...

When one considers the phenomenon of "Spring Break," images of bikini-clad young women, bronzed guys, and inhibition-shedding parties fill the mind's eye. In general, Hollywood has used Spring Break as a jumping-off point for comedies - some romant...

Summer is the season of bloat and the trait is evident in Spy's excessive running length. At about 90 minutes, this would have been a fresh, breezy action-comedy. However, with an additional half-hour of padding, viewers are forced to endure stre...

The biggest crime committed by The Spy Who Dumped Me isn’t its dearth of humor or reliance on an unimaginative espionage plot but the way it wastes the talents of its leads, Mila Kunis and Kate McKinnon. Their easy rapport, a staple of any wo...

Of Roger Moore's seven James Bond pictures, The Spy Who Loved Me stands out as the best. Stripped of the extreme silliness of The Man with the Golden Gun and packed with style, action, and wit, The Spy Who Loved Me ranks alongside the Connery...

The Square is an indicator that not only Hollywood blockbusters can be afflicted with bloat. At nearly 2 1/2 hours in length, this production takes what could have been a lean, incisive satire of art, commerce, and altruism and turns it into a...