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A View to a Kill represents the farewell bow of two long-time Bond film actors: Lois Maxwell, who portrayed Miss Moneypenny in all fourteen official movies from Dr. No to this one, and Roger Moore. While Moore's stamp on Bond was never as memo...

The Virginity Hit takes the first-person, pseudo-documentary approach popularized by horror films such as The Blair Witch Project and applies it to the coming-of-age/teen comedy genre. Perhaps surprisingly, it proves to be a good fit, although que...

When it was released in 1961, Viridiana was seen as shocking by some, blasphemous by others, and even deemed controversial by those accustomed to European filmmakers coloring outside the lines. Today, the “edgy” and “envelope-pushing” ...

A general rule of summer film watching is to beware any August release featuring a major star. The only reason for a distributor to hold back such a production is a lack of faith in the picture's ability to succeed in the highly-competitive early ...

Often, one of the most overlooked elements of a film is its cinematography. Paradoxically, it is also the most important, whether specifically noticed or not. Movies are a visual medium where the pictures shoulder the lion's share of the bu...

Two distinct problems of execution keep The Visit, M. Night Shyamalan's "comeback" from being anything more than another disappointing title on an increasingly uneven filmography. Despite a promising premise and effective "Shyamala...

Maybe I just don't understand the French sense of humor. After all, they think Jerry Lewis is a comic genius. Whatever the reason, I rarely find "lowbrow" French comedies more than passably watchable (and, in the case of Little Indian, Big City, ...

Back in the late 1980s, the team of Alan Menken and Howard Ashman gave new life to Disney animation by re-interpreting several classic stories as musicals. Unlike previous animated films that had incorporated the occasional song, Menken/Ashman...

Volcano is one of those films (like last year's Twister and Independence Day) for which it doesn't matter what I (or any other critic) have to say. Disaster movie junkies will go to get their fix; those who can't tell the difference between Th...

The only reason any male could have for seeing The Vow is the hope of getting laid afterwards. The only reason any female could have for seeing The Vow is if she views the plots of Harlequin romance novels as the height of modern storytelling. Thi...