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For those who thought Man of Steel was dark, you ain’t seen nothing yet. Batman v Superman, the battle royale/team-up of DC Comics’ revered superheroes, is so bleak that the sun never seems to shine, the characters’ faces can’t form smiles, a...

Loosely based on the graphic novel of the same name, Gotham by Gaslight takes the venerable Batman franchise and dumps it into the Victorian era. While many of the characters retain their names and some of the basic building blocks of their ch...

Those whose only exposure to the Marvel and DC superheroes has come through the various live-action films that have been made over the last 40+ years may be unaware that a second, entirely separate series of animated productions have thrived (...

Perhaps it's a backhanded compliment to acknowledge that, as would-be "event" films about alien invasions go, Battle Los Angeles is superior to both Independence Day and Skyline. Nevertheless, the movie is likely to miss the mark for anyone in sear...

Filtered through a prism of Italian neo-realism, The Battle of Algiers is an unflinching portrayal of how high-minded ideals get trampled underfoot in the heat of war. The film is relevant to modern-day audiences not so much in the specificity ...

About halfway through Battle of the Sexes, I found myself wishing I was watching a documentary rather than a feature film. Some of the issues raised by the movie – mainly related to a culture that marginalizes women and the struggles of thos...

Let me start this review off on a positive note. Battleship is in 2-D, not 3-D, so there are no issues with motion blur, low light levels, and general eye discomfort. There are some nice establishing shots of Hawaii; I might want to go there if I w...

When it comes to resurrecting defunct TV shows as big-screen events, Hollywood has a less than stellar track record. With only a few exceptions, the results are forgettable and, consequently, forgotten. Despite having a legitimate A-list actor...

If there’s an obvious problem with Beach House, it’s that the setup takes too long and the payoff is too abrupt. An erotic thriller than could have used a little more eroticism, Jason Saltiel’s feature debut takes the term “slow burn”...

The first two Disneynature documentaries, 2007's Earth and 2009's Oceans, were visual feasts - amazing experiences made all the more remarkable when blown up for big screen viewing (they were distillations of TV miniseries). Since then, the label h...