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With the introduction of Captain Marvel into an already crowded field, the MCU has become unbalanced. Ordinary villains might as well give up and conventional heroes can retire. For decades, Warner Brothers/DC has had trouble figuring out how ...

Movies like Captain Phillips - taut, white-knuckle thrillers that feature ordinary guys instead of bona fide action heroes - are something of an endangered species. In today's risk-averse movie industry, making an "action" film without an establish...

Captain Underpants (or, to use the full, far-too-long title, Captain Underpants: The First Epic Movie) gets the summer’s animated roster off to a low-key start. The first of four high profile big-screen cartoons to grace theaters over the n...

The scenario presented in Captive State would almost certainly have worked better in a mini-series format. The filmmakers’ low-budget approach of minimizing special effects might have allowed for an expansion of the narrative over a six or ei...

Writer/director Paul Schrader makes moody, low-budget movies about isolated people. While his highly regarded reputation as a screenwriter is deserved (he wrote, among other titles, Raging Bull and Taxi Driver), his directorial resume is checke...

Carnage is a French dark comedy made with an A-list cast and filmed in English. Adapted from the play God of Carnage by the play's scribe, Yasmina Reza, and director Roman Polanski, Carnage makes no attempt to "open up" the stage production. With t...

Carol is a haunting motion picture - the kind of film that stays with the viewer long after the multiplex’s neon signage has disappeared from the rear-view mirror. Despite having a deceptively simple storyline, the film is entirely unlike any o...

It's probably unfair to blame the failure of Carrie on Steven King. While it's true that the script, written by Lawrence D. Cohen and based on King's novel, is a mishmash of clichés and poorly-realized characters, director Brian De Palma des...

Welcome to "Spoilerville." Brian De Palma's 1976 adaptation of Stephen King's Carrie trod a precarious line between exploitative horror and serious social commentary. On the one hand, the movie represented the ultimate revenge fantasy for bullie...

Love comes in many forms -- platonic, romantic, and sexual -- and this is the issue at the heart of Carrington, a cinematic biography of artist Dora Carrington and her near-lover, writer Lytton Strachey. Though Dora, a heterosexual woman who didn'...