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Suddenly, the "Hong Kong style" is in. Not only are director John Woo and actor Jackie Chan both releasing English-language films early in 1996 (Broken Arrow and Rumble in the Bronx, respectively), but the number of Hong Kong titles obtaining wide...

Note to readers: this review contains spoilers. While I do not believe the revelation of certain plot points will in any way compromise the viewing experience, those who wish to see The Cider House Rules without having previous knowledge of certain...

Cimarron, the recipient of the 1931 Best Picture Oscar, is an excellent study of how tastes have changed over the years. Critically lauded at the time of its release, Cimarron was beloved by most who saw it. Eight decades later, it is frequently ...

The re-interpretation of an animated film into a live-action version is a tricky and difficult process - one made more uncertain when the movie in question is one of the classics. Cinderella, released by Disney in 1951, has been beloved by three gene...

It’s unclear why the filmmakers felt we needed another Cinderella adaptation, especially one with such an amateurish, made-for-TV aesthetic. It’s not as if there hasn’t been a recent one – Kenneth Branagh’s live-action version is only...

If you love movies, it's impossible not to appreciate Cinema Paradiso, Giuseppe Tornatore's heartwarming, nostalgic look at one man's love affair with film, and the story of a very special friendship. Affecting (but not cloying) and sentimental (b...

Circle of Friends is the motion picture equivalent of a dime store romance novel. It has all the requisite elements -- it's a period piece (the bulk of the story takes place in the late 1950s); boasts women with heaving bosoms and a young, virile ...

Thematically, James Ponsoldt’s The Circle (based on the novel by Dave Eggers) takes its cues from George Orwell’s 1984 and Aldous Huxley’s Brave New World. Grand aspirations, to be sure, and ones that are never truly met. From its beginn...

When it comes to Citizen Kane, one question eclipses all others: Is it the best film ever made? For years, I have avoided writing a review of this movie, intimidated perhaps by its immense reputation. Having missed the 1991 fiftieth anni...

The average movie about the abortion debate tends to be preachy, melodramatic, and unbearably solemn. So, it comes as something of a shock that the latest venture to the front line of the pro-life/pro-choice battle is actually a comedy. Director/...