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Bart Layton’s Crime 101, his first narrative feature in eight years, falls squarely into the category of movies that should be better than they are. With an ensemble cast of this caliber—featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, Ba...

Criminal is an action-thriller with a science fiction twist. To the extent that its purpose is to energize and involve an audience, it succeeds. The premise, however, which involves transplanting the memories of a dead man into the mind of a living o...

Crimson Peak works as an homage to 19th century gothic literature. Beyond that mission statement, however, it has trouble gaining traction. Although the film may hold a certain appeal for those who have spent long hours thumbing through the pages of ...

Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with...

Seemingly taking inspiration from Traffic, writer/director Nicholas Jarecki attempts to use a thematic connection (rather than a narrative one) to tie together three separate stories. (Although two of the segments intersect at the climax.) The...

The success of Paul Hogan's Crocodile Dundee in America is about as unlikely as the success of the title character on the streets of New York City. Nevertheless, in part because of Hogan's winning smile and in part because of his unpretentious sty...

Reprinted with permission from The Vampire Gazette, Volume 348, Issue 5, May 1994. Throughout the ages, human beings have harbored a not-so-secret fascination about our kind. "Children of the night" they call us, romanticizing the price that we...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...

Three things made Dangerous Liaisons, the 1988 Stephen Frears/Christopher Hampton collaboration, one of the best films of the decade: tremendous dialogue, an intriguing and Machiavellian plot, and top-notch performances (excepting Keanu Reeves). ...

Taking a page out of the Maleficent handbook, Disney has decided to take another of its iconic villains – in this case, Cruella DeVil – and provide her with an origin story that recasts her as a misunderstood victim rather than one of the ...