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When reviewing The Emoji Movie, “poop” is definitely appropriate. Or a frowny face. Or both.Oh, I suppose it’s not as bad as all that. After all, if one considers that this was made with the 7-10-year old group in mind, it passes muster....

In recent years, the two animation studios working under the Disney umbrella have been making a concerted attempt to shake free of their reputation as a White Princess Factory. The result: a pipeline of features populated with diverse casts – Coc...

Watching Enchanted April, the story of four dissimilar women in post-World War One England going on a holiday to a secluded castle in Italy, is the next best thing to taking a vacation. It casts a warm, relaxed spell that evokes feelings guarantee...

Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...

The problem with End of Watch, a gripping police drama, is director David Ayer's stylistic decision to shoot nearly the entire movie tripod-less. Or, to put it another way, there's a whole lotta shakin' going on. Much of End of Watch could almost f...

Ender's Game, long a staple of science fiction readers, has had a strange, winding trip to the silver screen. For many years, Orson Scott Card refused to sell the rights to the book, wanting to maintain control over the final product. This iteratio...

Stalingrad, 1942-43. It was the bloodiest single battle in the known history of war, with more than one million perishing of wounds, disease, and the bitter cold of winter. Like Napoleon a century earlier, Hitler came to Stalingrad with the ai...

Perhaps the most salient question to ask about England is Mine, an unauthorized, slightly fictionalized bio-pic of musician (Steven) Morrissey, is: who is the intended audience? Die-hard fans of Morrissey will most likely be disappointed by wh...

For those who have forgotten the depth of romance and passion that the movies are capable of conveying, Anthony Minghella's The English Patient can remedy the situation. This is one of the year's most unabashed and powerful love stories, using...

Enough Said is a maddeningly uneven dramatic comedy from writer/director Nicole Holofcener, whose previous efforts have shared the tone and a few of the themes with this one. The film's dramatic underpinning and the way it addresses impending empty...