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Generic and forgettable - those are the two words that immediately come to mind to describe Chris Wedge's first solo outing as an animated feature film director. (With Carlos Saldanha, he created Ice Age). What makes matters worse is that Epic isn'...

When did this sort of movie stop being funny? Parodies with so-called "saturation humor" used to be reliable - rarely memorable but typically good for 90 minutes of enjoyable, disposable cinema. At some point, however, the jokes lost their zing, ...

Anton Fuqua’s sequel to The Equalizer fits right in with the version of Robert McCall (Denzel Washington) he introduced four years ago when he updated the ‘80s TV series for big screen consumption. This new Equalizer was more brutal than i...

The Equalizer 3 is being advertised as the conclusion of a trilogy, although it’s really just a “more of the same” sequel, which can be a good thing for those who enjoyed the first two installments. Director Antoine Fuqua and star Denzel Was...

When The Equalizer arrived on television in the 1980s, it was notable for two things: being the first Reagan-era show to lionize vigilantism and presenting an "advocate" who broke the Curtis Sliwa-inspired stereotypes. Edward Woodward's Robert McCa...

The creative and financial successes of two franchises - Harry Potter and The Lord of the Rings - have changed the way in which fantasy is viewed by movie-goers. Once a genre pigeonholed as fit only for Dungeons & Dragons nerds, fantasy has gone m...

The cinematic landscape of early 2000 is littered with the carcasses of disappointing dinosaurs presented by respected, or at least recognizable, filmmakers: John Frankenheimer and ...

Escape Plan can best be viewed through glasses with nostalgia-tinted lenses. It's a Valentine to the '80s starring two of the decade's larger-than-life action stars in a plot that would have been at home during the Reagan years. Some thirty years l...

[This review could be considered “spoiler-ish.” No specific reveals, but a lot of general hints.]For roughly the first 75 minutes of Escape Room, I thought I had uncovered the rarest of rare finds: a good January movie. Alas, the film isn’...

From the first scene, Eternal seems like a made-for-Cinemax soft porn vampire movie, with one crucial exception. It has the cheesy music. It has the wooden acting by thespians whose names are not destined to top many A-movie marquees. It has the ...