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Like Raging Bull, Foxcatcher is a dark drama masquerading as a sports movie. Also like Raging Bull, Foxcatcher is based on a true story. Although such comparisons risk overselling Bennett Miller's new movie, Foxcatcher isn't afraid of venturing int...

Fracture is refreshingly different from the average mystery thriller in that it does not bombard the audience with "shocking" twists and "surprise" turns. This is a good thing, since those kinds of gimmicky plot elements more often than not derail...

Most directors have their obsessions and many of them, when realized, disappoint on one level or another, oftentimes because the filmmaker lacks distance. They have crafted the movie so lovingly in their minds over the years—visualizing every sh...

Frankenweenie is Tim Burton's animated remake of his live-action 1984 short of the same name. With its unabashed affection for classic monster movies and nods to Universal horror staples, Frankenweenie is almost certain to be beloved by fans of the...

Freakier Friday isn't a good movie, but it doesn't really intend to be. That's because Disney's late-to-the-party sequel to its 2003 remake of the earlier 1976 version (itself adapted from the book by Mary Rodgers) is pure product without a hi...

Freakonomics is a most atypical documentary indeed. Comprised of a collection of shorts by noted filmmakers Morgan Spurlock (Super Size Me), Alex Gibney (Taxi to the Dark Side), Eugene Jarecki (Why We Fight), Seth Gordon (The King of Kong), and He...

Blumhouse has an uncanny ability to identify projects that sound compelling on paper but are less attractive when watched on-screen. Freaky is the latest of these. Originally dubbed Freaky Friday the 13th, the movie weds traditional slasher fi...

With 2003's Freaky Friday, Walt Disney Pictures is again cannibalizing its past. This is the third time the Magic Kingdom has turned out a version of Mary Rodgers' novel. The first instance, in 1976, starred Barbara Harris as the mother and Jodie...

Making an enjoyable family Christmas comedy must be one of the most difficult things to accomplish in Hollywood, because the late-year presence of a good one in multiplexes is more rare than a White Christmas in New York City. Fred Claus, which fi...