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Get Smart becomes the latest in a long line of TV series to get a big-screen treatment. While we have come to expect recycled refuse from most of these (Bewitched perhaps occupying the nadir), Get Smart manages to rise above the continuum of regur...

Getaway is pretty much a 90-minute car chase. That's it. It may rival The Blues Brothers for the most vehicular wreckage in a motion picture. (Is that still the gold standard or has it been surpassed?) That said, however, consider how easy it is fo...

Ghost House is a generally well-made but ultimately unsurprising excursion into the supernatural. Although more interested in psychological terror than a high body count, the film touches enough of the expected tropes that horror fans will be ...

As a noisy, CGI-saturated spectacle, there’s no arguing that Ghost in the Shell gets the job done. Every cent spent on the movie appears to have made it into the final cut – an indication that the actors probably did most of their work in ...

In the world of comic books, there are A-list titles and B-list titles. For the movie adaptations, it's easy to tell the two apart. The B-list films feature characters who are not universally recognizable, typically do not command huge budgets, a...

A few random thoughts about Ghost Rider: Spirit of Vengeance... A single viewing makes it obvious why Marvel Enterprises would move forward with the sequel to a feature whose box office performance was underwhelming. By making this film, they are r...

Ghost Town is one of those romantic comedies that never quite clicks. At times, its humor is effective, provoking chuckles and laughs. At other times, the comedy feels forced and awkward. The romantic element is equally hit-and-miss. The chemis...

Ghost World could easily be considered an "anti-Hollywood coming of age story". Although it follows the contours of the genre, the path is different enough to make the movie seem fresh, non-formulaic, and occasionally surprising. Of course, for s...

The Ghost Writer is a reminder that, regardless of his real-life problems, Roman Polanski can still craft compelling thrillers. This isn't Chinatown, but it doesn't need to be. Based on the novel The Ghost by Robert Harris, it's a fictional tale ...

Let me begin this review of the 2016 Ghostbusters remake by pretending there was no 1984 iteration. How enjoyable would the film be if it didn’t have such enormous baggage, if it didn’t emerge under the long shadow of a beloved predecesso...