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Happy Feet is a weird movie. No one can accuse director George Miller and his co-writers of playing it safe, but there are some genres - such as family-friendly animation - where adherence to conventions can be viewed as a positive trait. 75 minu...

Mike Leigh has often been referred to as a prince of misery. His films, grounded in working class reality, are often downbeat. It's hard to argue with their quality or authenticity, but one typically doesn't walk out of a Mike Leigh film with a r...

“These aren’t the Muppets,” director Brian Henson might remind us, but his smile and wink would hint at what he really thinks. The son of Muppets creator Jim Henson and the man who filled his dad’s shoes directing The Muppet Christmas C...

Hard Candy is the kind of uncompromising independent motion picture that is likely to foster ambivalence in a significant portion of its audience. Admittedly, the film doesn't stand up well to a careful postmortem (many psychological thrillers don...

Harold and Kumar Escape from Guantanamo Bay exists because it was cheap to make and has a devoted core audience, not because its predecessor, Harold and Kumar Go to White Castle, was a blockbuster. The filmmakers, understanding what made the first...

Let me start out by saying that my four-year-old daughter liked the film considerably more than I did, which probably says all that needs to be said about Harold and the Purple Crayon. Like the book from which it gets its name and inspiration, the...

Harriet Tubman’s story as presented in Kasi Lemmons’ new feature, Harriet, is inspirational and crowd-pleasing. One of the most heroic figures on the mid-19th century abolitionist movement and the best remembered conductor on the Undergrou...

For those who are principally familiar with Sir Michael Caine from his work during the past two decades, his role as the rough-and-tumble Harry Brown may seem a little out-of-character. After all, this isn't the sort of thing one expects from the ...

There's no question that Harry Potter and the Chamber of Secrets is designed more for fans of the book than for those who have never picked up a J.K. Rowling tome. However, while that makes sense financially (after all, the target audience represe...

From a purely business standpoint, the decision to bifurcate Harry Potter and the Deathly Hallows is a winner. Instead of cashing in about $300 million at the domestic box office, Warner Brothers can now count on at least $600 million (bigger worl...