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After seeing two previews for David O. Russell's I Heart Huckabees, I had no idea what it was about. Now, having seen the movie, I still feel like I'm on the outside looking in. I certainly realize why the preview is so obtuse. There's no way that tw...

The concept of a child creating an imaginary world as a retreat from reality isn’t new to either movies or literature. In fact, one of the most beloved of all family films, The Wizard of Oz, employs this conceit. More recent endeavors like Pa...

I recognize the financial importance of nostalgia in today's movie business, especially when it comes to horror "franchises". There will always be return engagements for Michael Meyers, Jason Voorhees, and Freddy Kruger. But The Gorton's Fishe...

It has not been a good week for Lindsay Lohan. First, she does irreparable damage to her image by engaging in the sort of irresponsible and self-destructive behavior we have come to expect from her. Then she is "portrayed" on The Tonight Show by ...

I Love Boosters is one of those films a viewer is likely to either love or despise; there is precious little middle ground. A frantic satire of the fashion industry and consumer culture, the movie largely rejects a coherent narrative in favor of a...

I Love You Phillip Morris begins by telling us that it's based on a true story. Then, as if we might be disbelieving of that claim, it reinforces it. Truth, as they say, is stranger than fiction. (Not really, but the phrase sounds good, so we use ...

I Love You, Beth Cooper contains a share of effective elements wrapped around the core that, overall, isn't very good. Although masquerading as a generic teen romantic comedy, the film touches on topics that are atypically introspective for this s...

It has long been my contention that the male bonding movie, or so-called "buddy movie," is actually a romantic comedy without the sex. I Love You, Man makes this explicit - it's a buddy movie with all of the rom-com elements exaggerated out of prop...

It would be interesting to know what contribution (if any) credited screenwriter Alexander Payne (Election, Sideways) made to the final draft of I Now Pronounce You Chuck and Larry. Except for the cloying, strident preachiness of the third act, th...

Big ideas can sometimes lead to great motion pictures or, as in the case of I Origins, colossal misfires. A wannabe examination of faith versus science, Mike Cahill's follow-up to Another Earth fails to provide convincing dramatization of his thema...