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2014’s Kingsman: The Secret Service achieved a surprising level of success not because it offered anything groundbreaking but because its anarchic energy and deadpan wit made familiar story elements seem fresh. For the sequel, The Golden Circ...

Kingsman: The Secret Service is to the '60s British spy movie genre what Kick-Ass is to today's motion picture superhero movement. Part homage, part cartoonish spoof, and part high-energy actioner, Kingsman feels right at home with the likes ...

Kiss Kiss Bang Bang is the breezy directorial debut of Lethal Weapon screenwriter Shane Black. Black knows film noir inside and out, because he uses the basic template here. He jazzes things up by employing an aware and self-deprecating narrator ...

The smart romantic comedy occurs so infrequently that it has obtained an almost mythical status, sort of like Santa Claus or the Tooth Fairy. In the subgenre of gay and lesbian romantic comedies, intelligence is even rarer. Since the ratio of goo...

The Kitchen is a scattershot, uneven attempt to tell a gritty gangster story in which three women are the primary characters. Based on the DC comics series of the same name, the movie plays like the highlight reel of a deeper, more compelling ...

When a movie is made based on a book that millions of people have read, the first question asked often pertains to the faithfulness of the resultant cinematic product to its written inspiration. In the case of The Kite Runner, director Marc Forste...

The action/comedy genre has grown in popularity over the past couple of decades, but it remains difficult for filmmakers to find a workable balance between the seemingly disparate elements of the recipe. Too much action often results in marginaliz...

There are reasons why Hollywood rarely backs a murder mystery.  With its various narrative complexities, double dealings, and mandatory twists, the genre is generally unsuited for the constrictions demanded by a two-hour timeslot. As the PBS ...

If Knock at the Cabin was an episode of the old TV series “The Outer Limits,” it would be regarded as middling and forgettable. Such descriptors seem kind, however, when applied to a 100-minute production that requires an admission fee. A medi...

For Knocked Up, writer/director Judd Apatow's sophomore feature, the filmmaker has elected to follow pretty much the same formula that made his debut, The 40 Year Old Virgin, such a success. Considering how winning the formula is, it's a safe appro...