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It goes without saying that it's dangerous for a lamb to spend time in the den of wolves, but when that lamb lingers longer than is necessary, the result is guaranteed. Alpha Dog, the 2006 Sundance Closing Night film whose resemblance to a real-lif...

Had The Alto Knights been made a little more than a quarter-century ago, it would likely have generated interest and excitement, even if the end result isn’t deserving of either. After all, back in the late 1990s, director Barry Levinson was nea...

If you’re looking for a fun, revenge-oriented thriller, The Amateur doesn’t deliver. (Go check out John Wick instead.) If the goal is to find a modern-day spy story, you won’t find that here, either. (Consider streaming the vastly superior S...

As a history lesson, Amazing Grace is okay. It stays reasonably true to the established record with minimal embellishment. However, as motion picture, the film is lacking in several key areas. The presentation is choppy, with lengthy sections dev...

It takes something lackluster like The Amazing Spider-Man 2 to remind viewers why movies like Captain America: The Winter Soldier are considered superior. In the superhero genre, it's too easy to become sloppy and fall back on clichés. The fifth S...

Where to go with Spider-Man? That's the billion dollar question that has plagued Sony Pictures. One of their flagship franchises, Spider-Man is a proven money-maker that could not be allowed to lie fallow simply because the creative engine ran out ...

If you’re more interested in visual razzamatazz than little things like character development or interaction, Ambulance may be your movie. If you prefer sweeping, hyperkinetic camera movements and spastic editing to a coherent narrative, Amb...

Mira Nair's Amelia is a by-the-book bio-pic. By following the template, it's as safe and straightforward as one could possibly get, without narrative flourishes and with minimal exaggeration to satisfy Hollywood's appetite for fictionalization. Th...

Years ago, while watching Delicatessen (in 1992) and The City of Lost Children (in 1995), I wondered which of the co-directors, Jean-Pierre Jeunet or Marc Caro, was more responsible for the films' quirky tone and striking visual style. Although Ca...

American Assassin is as generic an espionage thriller as you’re likely to find. Leaving no cliché unturned and offering a roster of predictable “twists” and unsurprising “surprises”, the production seems more like it was assembled f...