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If there’s a rule to be aware of when it comes to Sony’s so-called “Spider-Verse” movies, it’s this: If Spider-Man isn’t in it, it’s likely to disappoint. That applies to Venom, Venom: Let There Be Carnage, Morbius, and now Madame Web...

Made in Dagenham is a fact-based "social conscience film," meaning that it explores an historical struggle against a societal ill. In this case, it's gender inequality - unequal pay for equal work. By chronicling one of the key events that led to t...

Romantic comedies sell fantasy. Ultimately, that's their reason for being - to make even the most cynical heart crave true love. Some romantic comedies, this one included, fail because of an inability to convince the audience that the protagonists...

Maestro falls prey to the most common flaw of many bio-pics: trying to encapsulate too much material (over long span of time) into a 2-hour running time. The result is that some sequences seem rushed and compressed, character relations...

Maybe at some point, the idea sounded good. Funny, perhaps. Clever even. A fish-out-of-water comedy drenched in enough blood to earn it a solid R-rating. But if there was any potential in the initial inspiration, it was frittered away. J. Michael ...

The battle lines surrounding The Magdalene Sisters were drawn long before it reached its limited North American theatrical distribution on August 1, 2003. The film, which shines a light into the shadowy recesses of religious/sexual repression in I...

Working at his current pace, Woody Allen delivers one film per year. Unfortunately, it has been decades since Allen's endeavors have been consistently good. In fact, even as far back as the 1990s, quality movies have been more the exception than th...

If your expectations for Magic Mike have been formed by the trailers and the TV ads, you can be forgiven for anticipating a male version of Showgirls or Coyote Ugly. Keep in mind, however, that the director is Steven Soderbergh, not Paul Verhoeven,...

It's easy to understand why the original Magic Mike was a success: the not-too-cheesy, not-too-serious story of a male stripper featured plenty of beefcake, high-energy dance sequences, standout performances from Channing Tatum and a manic Matthe...

Magic Mike’s Last Dance exemplifies Hollywood’s obsession with established properties. When Steven Soderbergh released Magic Mike in 2012, it was designed as a stand-alone film with a beginning, a middle, and an end. However, its box office suc...