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Nymphomaniac Volume II, the continuation of the story begun by writer/director Lars von Trier in Nymphomaniac Volume I, is a clear case of a narrative running out of steam. Exhaustingly repetitive, this movie attempts many of the same things its pr...

O Brother, Where Art Thou? is essentially Homer's "The Odyssey" by way of the Coen Brothers with an assist from Preston Sturges (the title comes from the Sturges film, Sullivan's Travels). Or, to put it another way, it's a period piece road movie ...

O.J.: Made in America, an epic documentary from Ezra Edelman, explores not only the rise and fall of one of football’s iconic players, but the status of race relations in America and the impact of celebrity-worship on modern culture. Althoug...

The Object of My Affection, based on the novel of the same name by Stephen McCauley, is a pleasant romantic comedy that asks (and tries to answer) questions about the nature of love, sex, family, and friendship. And, while some of the solutions ar...

We don't get many idea-based science fiction films these days so, when one comes along, it represents a welcome change of pace from the fantasy space opera that has co-opted the genre. Despite being tarted up with enough action to stave off boredom...

Probably every review written of Observe and Report will mention, in one context or another, Paul Blart: Mall Cop. The connection is understandable: both are satirical looks at the trials and tribulations of life as a private security guard (a.k.a...

Sometimes, it's all about execution. There are times when a movie can boast a compelling premise, yet translating that idea into reality defeats the filmmakers. Maybe the screenplay sucks, the actors aren’t up to snuff, or the tone is all over t...

Occupation accomplishes the previously unthinkable: an alien invasion film that makes Independence Day look smart. A so-bad-it-has-to-be-seen-to-be-believed motion picture (not that I recommend subjecting oneself to the experience), Occupation...

There are three rules for any self-respecting heist movie: (1) the caper should be interesting, convoluted, but easily explained/decoded at the end; (2) although no heist is airtight, the holes shouldn’t be apparent to the audience in real t...

The good news is that the 2001 version of Ocean's Eleven represents one of the rarest of Hollywood rarities: a re-make that is actually better than the original. That's not to say that this motion picture is an unqualified success - one tends to e...