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Are You Here is a character-based drama from writer/director Matthew Weiner, who is perhaps best known as the creative force behind Mad Men (he was also a writer and producer for The Sopranos). The film focuses on interpersonal relationships: frien...

In the 1970s, Judy Bloom broke onto the scene with several popular young adult books. Later in her career, she added mature novels to her resume (with frank depictions of adult sexuality that shocked some who were familiar with her preteen-oriente...

Argo proudly bears the "based on a true story" label, and this is one occasion when the caption is important to how the movie is perceived. Often, this is a meaningless citation but, when documenting historical events such as the ones depicted here...

Stylish, smartly edited, and bursting with energy, the trailer for Argylle is fantastic. That’s about the only thing related to this movie the superlative could be used to describe. The actual production is a polar opposite: overlong, tediou...

According to several of the roughly 100 talking heads in The Aristocrats, The Joke has been around for a long time, dating back to the days of vaudeville. In addition to being called "The Aristocrats," it has other names, like "The Sophisticates."...

Arizona illustrates that, if a filmmaker intends to make a comedy-thriller, (s)he would be better served by emphasizing either the humor or the suspense, not trying to walk some invisible line down the middle. By choosing the latter option, f...

Everyone has their own coming-of-age story. For most, it has meaning for only one person; it’s rare that a coming-of-age experience translates into a universal story. Kenneth Branagh’s Belfast is an example of one that does. James Gray’s Arm...

To give director John Stockwell and screenwriter Matt Savelloni, at least Armed Response isn’t the generic shoot-’em-up I was expecting. There are some legitimately intriguing ideas explored in the film and, familiar though the concept of ...

Army of the Dead isn’t director Zack Snyder’s first dance with the undead. His feature debut, 2004’s Dawn of the Dead, had him remaking the George A. Romero horror classic. 17 years later, after spending a significant portion of his film...

The scenario presented in Arrival isn’t new - motion pictures have been dramatizing an event of this sort almost since moving images first flickered on a big screen. We wonder about it, dream about it, imagine it, and write about it. Popular te...