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Someone finally figured out a way to make the concept of "found footage" interesting, and it's by incorporating it into the film's overall scope rather than employing it as the governing factor. Sinister is an intense horror film that starts out ma...

Sinister 2 falls in line with a majority of the horror films being produced today (especially those with numbers next to the titles): uninspired regurgitations that exist solely to make a few quick bucks from a ravenous (and often undiscriminating) a...

Sinners commits one of the rarest of rare transgressions in modern cinema: it’s too ambitious. Writer/director Ryan Coogler has far too much to say for one movie but, instead of opting for another medium in which to present the story or shaving ...

On the surface, it's easy to assume that Sirens is a lighthearted erotic romp through the secluded wilds of Australia's Blue Mountains in the 1930s. Like in some modern-day garden of Eden, there are snakes, ripening fruit, and plenty of naked bodi...

The strength of The Sisterhood of the Traveling Pants 2, like its unnumbered predecessor, lies in the appeal and complexity of the characters. The four friends who form the backbone of the narrative are warm, believable individuals. We like them. ...

I am unquestionably not a member of the target demographic for Ken Kwapis' (He Said, She Said) The Sisterhood of the Traveling Pants, but that didn't prevent me from enjoying it. Although there's plenty of manipulation to be found in this motion p...

Sisu is one of those unheralded films that comes seemingly out of nowhere to grab the adventurous movie-goer by the throat. For a perfectly-pitched 90 minutes, it glories in the excesses of gore and violence with an exuberance rarely experienced t...

With its tongue no longer in cheek, the grimmer and more preposterous sequel to Sisu makes up in adrenaline what it loses in (gallows) humor. Unlike the first film, which often seemed to wink at the audience, this one commits fully to darker terri...

The Sitter fits neatly into the mediocre, generic comedy category - a classification reserved for films that are neither funny enough nor raunchy enough nor smart enough to do more than consume time and dull the senses. One could argue that these a...

The Skeleton Key is the latest of the new breed of PG-13 "horror" movies that emphasize atmosphere and "boo" moments over gore. This film, which is not a re-make of a Japanese production (as many of these pictures are), maintains an internal logic...