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Calling Backrooms "horror" is probably a misnomer. Although there are horror elements to be found in Kane Parsons' feature debut, this is more of an existential mind-fuck than anything else. The film exists not so much to unspool a story as to gen...

Has the passage of 18 years and the removal of Michael Bay from the director’s chair revived or redeemed the roadkill represented by the previous Bad Boys sequel? To a certain extent, yes, but only when one considers that the third installme...

The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appr...

I’m not sure what more I can say about Bad Boys: Ride or Die, the fourth installment in the over-the-hill franchise, that I haven’t written in reviews of the previous films. Unsurprisingly, considering it has the same directors as the third Ba...

In recent years, few things have been more certain than the guarantee of something delicious from director Pedro Almodóvar. Almodóvar has become like a trusted brand name - reliable and consistent. Unfortunately, with his new effort, called Bad E...

At one time not all that long ago, Dreamworks Animation was churning out such exciting, well-loved projects as Shrek and How to Train Your Dragon. Of all the major studios, only they were able to challenge Disney on its home court. The Bad Guys...

Harvey Keitel plays an unnamed New York City lieutenant who's a lot worse than the criminals who infest his streets. A womanizer, drug abuser, alcoholic, and gambler, the bad (and unnamed) lieutenant epitomizes corruption and decadence. When his ...

When artistic and marketing impulses collide, you end up with an unwieldy title like Bad Lieutenant: Port of Call New Orleans. Director Werner Herzog's preferred name, Port of Call New Orleans, was deemed unsuitable by producer Edward R. Pressman,...

A Bad Moms Christmas is one of those plot-by-numbers sit-com movies that tries hard (perhaps too hard) to reproduce the elements that made the earlier film successful. As such, it never strays far from its safe place and, although it offers oc...

Bad News Bears may be the most entertaining remake of the year (thus far), but that's less a statement of praise than it is a condemnation of this class of movies. With a script co-credited to Bill Lancaster, who penned the original 1976 screenpla...