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Trust the Man is the latest feature from Bart Freundlich, who came to many people's attention in 1997 with The Myth of Fingerprints. Since then, Freundlich's resume has been spotty but, based on the $8 million payout by Fox Searchlight for this mov...

Since Edmond Rostand first committed the play to paper in 1897, Cyrano De Bergerac has become a reliable romantic formula. From the various "straight" versions to Steve Martin's Roxanne, and now The Truth About Cats and Dogs, the concept of a smar...

Remaking movies is always a risky endeavor, and remaking a classic can border on the foolhardy. Taken on its own terms, however, Jonathan Demme's The Truth About Charlie, a '00s re-interpretation of the 1963 thriller Charade, is a decent – and e...

With a studio as prolific as Blumhouse, whose mission is to prioritize profit over quality, there are bound to be occasional duds. To date, however, nothing with producer John Blum’s name attached has been quite as creatively bankrupt as Tru...

In 2014, Japanese director Hirokazu Kore-eda’s Like Father, Like Son missed the #1 spot on my annual Top 10 list by a whisker (it was one of three films that year to which I awarded four stars). A few years later, his Shoplifters topped the l...

When a director can take a reprehensible monster and, over the course of a scant 90 minutes, turn audience reaction from distaste to sympathy, that's the mark of an adept filmmaker. This occurs in Tsotsi, an emotionally honest tale of redemption t...

The warning signs were there that Tulip Fever was not going to be a good film. The movie had a troubled production history with hiccups and false starts resulting in an “unreleaseable” cut that has sat around gathering dust since principal ...

Spoilers! Nothing is explicitly revealed but something is implied. For about a half-hour, Tully is damn near brilliant. An incisive, relentless takedown of the myth of new parenting, Diablo Cody’s screenplay highlights the incessant crying, ...

Two of the most enjoyable disaster films I have seen in the past half-dozen years have emerged not from the powerhouse studios in Hollywood but from Norway. The first was the 2015 tsunami movie, The Wave, and the second was released in 2019 (b...

Turistas starts out as an effective little horror movie before devolving into an incoherent mess during its final 30 minutes. The problem isn't the body count, it's the inability to figure out what the number is due to the way in which director Jo...