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As the bean counters toil, Eustace waits. So does Jill. And Polly and Digory, too. Walden Media has optioned all seven of C.S. Lewis' Chronicles of Narnia books, but whether the other six (or, more likely, five - since The Horse and His Boy seem...

The Chronicles of Narnia: The Voyage of the Dawn Treader is fantasy-lite. With its PG rating and aversion to anything shocking or overly grotesque, it's the bastard stepchild of The Lord of the Rings or Harry Potter. A dull, meandering storyline an...

With a title like The Chronicles of Riddick, one can assume that David Twohy's movie comes with lofty aspirations. Indeed, there are hints of a complex, involving story here. Unfortunately, too many of the nuances are drowned out by incessant, re...

The re-interpretation of an animated film into a live-action version is a tricky and difficult process - one made more uncertain when the movie in question is one of the classics. Cinderella, released by Disney in 1951, has been beloved by three gene...

It’s unclear why the filmmakers felt we needed another Cinderella adaptation, especially one with such an amateurish, made-for-TV aesthetic. It’s not as if there hasn’t been a recent one – Kenneth Branagh’s live-action version is only...

Consider Cinderella Man to be a Depression era Rocky. While that may at first seem like a glib way to describe Ron Howard's rags-to-riches boxing drama, a careful examination of the storyline reveals numerous similarities between this drama and Sy...

Thematically, James Ponsoldt’s The Circle (based on the novel by Dave Eggers) takes its cues from George Orwell’s 1984 and Aldous Huxley’s Brave New World. Grand aspirations, to be sure, and ones that are never truly met. From its beginn...

Is it too much to ask that a narrative film have a beginning, a middle, and an end? Apparently in the case of Cirque du Freak: The Vampire's Assistant, a loose adaptation of Darren Shan's Vampire Blood trilogy, the answer is "yes." Developed with...

There is something a little retro about the relaxing blend of screwball comedy and low-key drama that represents Raymond De Felitta's City Island. An indie of the sort that achieved popularity during the 1990s but which has since fallen out of fav...

City of Ember has almost anything one could want from a science fiction-based family adventure film: likeable characters, an imaginative setting, and a fast pace. The third item on that list is notable. Recognizing that children often have limite...