Search for 2018

There’s little doubt that director Christian Gudegast’s primary intention in making Den of Thieves is to emulate Michael Mann’s classic 1995 thriller, Heat. The similarities – from the overall plot to individual story beats – are too...

I can easily see how the consensus reaction to Destination Wedding could be overwhelmingly negative. It’s not easy to spend 90 minutes in the company of two narcissistic, self-absorbed misanthropes. For Frank (Keanu Reeves) and Lindsay (Wino...

Destroyer could earn Nicole Kidman some consideration for an Oscar nomination and the gritty neo-noir storyline about obsession, guilt, and betrayal is worthwhile for those who appreciate the genre, but the movie seems destined to be lost in t...

In recent years, there has been no shortage of American male-centered LGBTQ movies, with one (Moonlight) winning an Oscar. When it comes to lesbian stories, however, pickings have been slim. Although there have been international options (incl...

I think most people remember eighth grade, although rarely (I imagine) with a great deal of fondness. The blessing (and curse) of Eighth Grade is that writer/director Bo Burnham remembers it too. With this film, he accomplishes two things: cand...

Anton Fuqua’s sequel to The Equalizer fits right in with the version of Robert McCall (Denzel Washington) he introduced four years ago when he updated the ‘80s TV series for big screen consumption. This new Equalizer was more brutal than i...

[This review could be considered “spoiler-ish.” No specific reveals, but a lot of general hints.]For roughly the first 75 minutes of Escape Room, I thought I had uncovered the rarest of rare finds: a good January movie. Alas, the film isn’...

At one point in his career, Michael Moore made insightful movies – smart, thought-provoking films that explored often-polarizing subjects. Then, at some point after his 2002 documentary, Bowling for Columbine, Moore became more interested in ...

The biggest source of frustration with the sequel to Fantastic Beasts and Where to Find Them relates to it being a middle installment of a much larger story. As such, it’s a stepping stone from the introduction into a meatier narrative. It la...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...