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At one time not all that long ago, Dreamworks Animation was churning out such exciting, well-loved projects as Shrek and How to Train Your Dragon. Of all the major studios, only they were able to challenge Disney on its home court. The Bad Guys...

In a bygone era, something like Bandit would have been a TV movie of the week. All these years later, it retains the look and feel of something not quite “theatrical” in its ambitions. If it has any future as a streaming rental, such hopes lik...

It could be argued that The Banshees of Inisherin works better as an allegory than a straightforward narrative. There’s power in the message conveyed by writer/director Martin McDonagh’s screenplay; it’s less a drama and more a rumination ab...

For roughly two-thirds of its 100-minute running length, Barbarian is a top-notch excursion into the dark, twisty tunnels and catacombs of a mystery-cum-monster movie. The film’s overreliance on horror movie clichés during the final half-hour w...

The Batman, a reboot of DC comics’ most popular character, brings the franchise back into the shadows successfully embraced by Christopher Nolan’s phenomenally popular take but without the fetishism of the Burton/Schumacher years or the excess...

Black Adam embraces many of the worst elements and tropes of the superhero genre, resulting in a loud, discordant experience replete with fist-fights, pyrotechnics, and an overdose of CGI. While attempts are made to maintain a degree of faithfulne...

Black Panther: Wakanda Forever is an overlong blockbuster in search of an editor. It’s a series of impressive action sequences without a compelling narrative to connect them. It’s a frustrating example of how financial success, not creative im...

The Black Phone is a throwback to a time when horror was more about fear and suspense than blood and gore. Oh, there’s some of the latter in the movie but far too little to sate the appetites of those who attend the genre purely to be entomb...

As horror/comedies go, The Blackening is one of the better ones. A satire in the same vein as Scary Movie, it uses barbed satire to skewer a host of horror movie tropes but does so with a specific perspective. Beneath all the gags, jokes, and ...

It’s February. That means it’s time for cold weather and snow, groundhogs having their day, and Liam Neeson coming out with yet another kick-ass action/thriller. (Do not confuse the term “kick-ass” with “good” or even “watchable.”)...