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Emerald Fennell’s Wuthering Heights opens with a promise the rest of the film is ultimately unable to keep. It begins with the spectacle of a mid-19th-century public hanging—an event that conflates death with lust, instantly drawing the vi...

By their nature, there is a predictable sameness to most romantic comedies. Armed with an "if it ain't broke, don't fix it" mentality, filmmakers venturing into this genre rarely attempt anything daring; they are, after all, courting an audience t...