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No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

With Now You See Me, director Louis Leterrier has taken a page out of the book of his characters: use sleight-of-hand so viewers are distracted from some rather obvious screenplay deficiencies. By employing a fast-moving, high-energy approach that...

Since this is a thriller, there must be a twist. One goes into a movie like The Number 23 with this expectation. However, not only is the twist telegraphed early but it is presented in a clumsy and unconvincing manner. Other films have employed ...

Nymphomaniac Volume I is possibly the best movie Lars von Trier has made since Dancer in the Dark. It doesn’t take much analysis to determine the “why” of this statement - for Nymphomaniac, the iconoclast director has dialed back the pretent...

Nymphomaniac Volume II, the continuation of the story begun by writer/director Lars von Trier in Nymphomaniac Volume I, is a clear case of a narrative running out of steam. Exhaustingly repetitive, this movie attempts many of the same things its pr...

We don't get many idea-based science fiction films these days so, when one comes along, it represents a welcome change of pace from the fantasy space opera that has co-opted the genre. Despite being tarted up with enough action to stave off boredom...

It's probably just a coincidence, but the two Bond films that Maud Adams appeared in -- The Man with the Golden Gun and Octopussy -- are easily the silliest entries in the long-running series (not counting the intentional spoof Casino Royale). In...

For a horror movie, Oculus is surprisingly lean on the scares. It's more interested in playing tricks with perception and bending reality. Ambitious material for director/editor Mike Flanagan (expanding from his award-winning short) and, if he does...

Old School is exactly what director Todd Phillips intends for it to be: low-brow, moronic to a fault, and occasionally side-splittingly funny. I laughed aloud seven or eight times during this film, and smiled or chuckled on a few additional occas...