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Exodus represents Ridley Scott's attempt to emulate Cecil B. DeMille. Comparisons with The Ten Commandments are both unavoidable and appropriate. Considering the mixed critical reaction to the 1956 spectacle, it is perhaps surprising that Exodus co...

It's difficult to explain the full range of emotional impact caused by Exotica. The latest offering from Canadian film maker Atom Egoyan (Family Viewing, The Adjuster) is as beguiling as it is baffling. Not until the final scene does everything f...

If Expend4bles was simply hampered by lazy writing and indifferent acting, it might not matter. After all, to be fair, those descriptors fit the earlier installments of the series – The Expendables, The Expendables 2, and The Expendables 3 – an...

They're back! That lovable band of washed-up '80s action heroes has returned in full glory for the third installment of Sylvester Stallone's The Expendables series. And, while some of the names have changed (bye, bye Bruce Willis and Chuck Norris;...

The primary goal of Fahrenheit 9/11 is obvious: offer evidence that President George W. Bush is an incompetent moron and that his administration is corrupt. One might argue that filmmaker Michael Moore does an adequate job of this, except that, to...

The Fall Guy represents what a true “summer movie” should be: a light, fast-paced spectacle with likeable characters and a balance between action/eye candy and narrative elements. No one is going to call Drew Pearce’s screenplay a masterpiec...

It’s said that the only two certainties in life are death and taxes. When it comes to the former, the ramifications touch more than just the individual involved. Different cultures address death differently. Despite this, however, there’s ...

Most films about characters with dementia focus on the impact the condition has on the afflicted individual’s loved one(s). The Father, however, attempts to present the situation from the perspective of someone suffering from dementia. To ac...

Calling The Fault in Our Stars a "teenage cancer romance" might be understating the film's laudable qualities but it's also a reasonably accurate three-word summary of the plot. Adapted from John Green's best-selling YA novel of the same name, The ...

If it's Disney (or its subsidiary, Miramax), it must be "inspired by true events." Or maybe it just seems that way. Those words, which appear in a caption at the beginning, are chose with care (more care than the similar preface to Hidalgo). Fin...