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We as a society tear down what we do not understand. We vilify and destroy people who are "different" because their differences make us uncomfortable. That message more than any other rings clear in the account of the life of Alan Turing (B...

Remove Sydney Sweeney from Immaculate and what remains scarcely seems worth the time to watch. Set in a cloistered location, the film builds suspense through the insular nature of the setting but the storyline is muddled, the pacing is uneven, and...

Those who prefer more than a token of historical fact in their biopics may be less-than-enamoured with Immortal Beloved, an erratic look at the life of Ludwig van Beethoven (played by Gary Oldman). Writer-director Bernard Rose is obviously more co...

Universal Pictures is touting In Good Company as being "from the producers of About a Boy." While that's a true enough statement, let's not forget that the team of Chris and Paul Weitz were also responsible for the popular American Pie series. Th...

The Incredibles may become the first Disney/Pixar film not to dominate at the box office. That statement has nothing to do with the film's quality - in fact, The Incredibles is among the best of Pixar's digitally animated movies. However, it's go...

The explosive (and not entirely unexpected) success of Raiders of the Lost Ark ensured that the movie-going public would meet Indiana Jones again. And, indeed, as soon as Harrison Ford removed the mantle of Han Solo for the final time, he once aga...

At first glance, Inherent Vice might seem to be a detective story. Look a little closer, however, and it becomes clear that this is Paul Thomas Anderson's idea of a comedy. There's slapstick, lowbrow material, and enough strange characters an...

Inside Out 2 is about the best one could hope from for a sequel to a movie whose main selling point was its unconventional perspective. The original Inside Out worked brilliantly because of its freshness but that quality is diminished in the follo...

Christopher Nolan has never shied away from a challenge and the one he has taken on with Interstellar may be his most prodigious thus far - bigger than delivering an end-to-start chronology in Memento, more impressive than the mind-bending contortion...

Francis Ford Coppola's Dracula. Mike Nicols' Wolf. Kenneth Branagh's Frankenstein. Suddenly, horror of the old genre (as opposed to the '80s slasher flicks) is back with a vengeance. The latest, and arguably the most ambitious, to enter this p...