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The November Man feels like just about every B-grade spy thriller that has ever been committed to the silver screen. With a slipshod narrative that could be mistaken for diluted Ludlum, Deighton, or Le Carre, The November Man provides us with an op...

Pleasantness and affability reign supreme in Steven Soderbergh's sequel to the remake of Ocean's Eleven. This time around, even the bad guys don't seem so bad. Rumor has it that the atmosphere on the set of Ocean's Twelve was so easy-going that i...

At the time of its release, the vastly overrated Longlegs was being touted by some critics as the most “terrifying movie of 2024.” It’s doubtful that anyone making such a statement has seen Irish director Damian Mc Carthy’s sophomore film,...

Consider this situation: two people approach an intersection from different vantage points. When an accident occurs, they both observe the same facts, yet afterwards their versions of events differ considerably. Neither is lying; rather, it is t...

The recipient of eight Oscars (including Best Picture), On the Waterfront represented a defining moment in the careers to two key participants: actor Marlon Brando and director Elia Kazan. A gritty, uncompromising look at union corruption on the d...

Once Were Warriors, a New Zealand export, is centered upon the touchy yet timely topic of domestic violence. It is not, however, merely another "domestic violence motion picture." With its complex cultural backdrop and its stark view of this soci...

Open Water, the second feature from director Chris Kentis, has been compared to both Jaws and The Blair Witch Project. That latter comparison is an apt one; the former is not. Aside from one coincident element - both movies feature sharks - there...

The Order, from director Justin Kurzel, turns back the clock to 1983 to explore a movement whose ideals and methods have striking relevance in today’s fraught political climate. The Order was a Neo-Nazi terrorist organization that splintered awa...

Has it come to this for director Nick Cassavetes? The son of acclaimed iconoclast filmmaker John Cassavetes, Nick has been toiling in mostly indie circles for the better part of his career, making some fine motion pictures in the process: Unhook th...

The Outrun, based on the memoir of the same name by Amy Liptrot, takes a motion picture staple – one of addiction and recovery – and re-invents it into something fresh and engaging. Presenting the narrative in a fragmentary, non-linear fashion...