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What might have been… Those four words tell the sad story of too many films, and Welcome to Mooseport is one of them. It starts out with a terrific premise, ripe with the potential for the kind of political satire we haven't seen on the big scr...

It's been more than fifteen years since the release of John Carpenter's Halloween, and ten since Wes Craven's A Nightmare on Elm Street. Each, in its own way, was a top-of-the-line horror flick -- a film that relied more on chills and thrills than...

At first glance, it appears that The Whale might represent a “return to form” for Darren Aronofsky, who has been taking a walk on the strange side with his previous two features, Noah and mother! Alas, despite some interesting performances, th...

The previews for When a Man Loves a Woman do this film an injustice. Heavy on poorly-edited melodramatic sequences, they give little inkling of the level of emotional honesty attained. Luis Mandoki's film succeeds not because it tackles alcoholis...

When the Game Stands Tall is one of those cliché-riddled feel good movies that, by trying too hard to be inspirational, ends up as cloying and overly sentimental. At first glance, the narrative trajectory might seem to be on a different vector fr...

While We're Young offers two movies for the price of one.  The first, about a married couple in their 40s coping with being rootless and middle-aged while lamenting the loss of their youth, is smartly-observed and relatable.  The second...

It's a noteworthy achievement for director Damien Chazelle to infuse a tale about the development of a musician with all the tension and intensity of a top-notch thriller. Whiplash is riveting. At times, it evidences the qualities of a can't-turn-a...

I might have felt sad about what director Howard Deutch and screenwriter George Gallo have done to the characters from The Whole Nine Yards if I cared about them in the first place. The problem with a movie like Jonathan Lynn's 2000 noir comedy is...

Let me start out this review by asserting that those who consider themselves die-hard fans of the stage musical Wicked, upon which this movie is based, will almost certainly love what director Jon M. Chu (Crazy Rich Asians, In the Heights) has deli...

This is Reese Witherspoon's big Oscar push and the strength of her performance - easily the most forceful and memorable aspect of an otherwise unremarkable motion picture - may well earn her a nomination. Witherspoon certainly goes all-out, doing...