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Beetlejuice Beetlejuice is a worthy follow-up to its 1988 predecessor, Beetlejuice. For this much-delayed sequel, director Tim Burton has hewed close to the strengths of the original, repeating them when appropriate and acknowledging them when not...

Memory: it's an integral element to our definition of who we are. In our lives, most of us forget far more than we remember, but our ability to recall events, faces, and names forms the building blocks of our identity. It's no surprise, therefore,...

Forget Spider-Man's tussle with Doc Ock. Forget Shrek's trek to Far Far Away. And forget Harry Potter's latest attempt to endure the snipes of Snape. For me, the sequel to see during the summer of 2004 is Richard Linklater's Before Sunset, a fol...

"Time never dies. The circle is not round." As well as being a repeated line in Before the Rain, this statement clarifies director Milcho Manchevski's perspective. The film is an exploration of the vicious circle that is violence in the Balkans,...

Wars, no matter when they are fought or which weapons are employed, share many common characteristics. One is that the cheapest currency is human life. Another is that even the winners pay a toll. And a third is that many soldiers, upon returnin...

The standard-order musician’s bio-pic exists primarily as a way for filmmakers to capitalize on the popularity of a singer and an opportunity to provide viewers with a “greatest hits” compilation. Rarely do these films achieve any sort of ci...

Beverly Hills Cop holds a retains a hallowed position in the pantheon of ‘80s blockbusters. It was the third of three films to catapult Eddie Murphy to movie stardom (the others being 1982’s 48 Hours and 1983’s Trading Places). At the time w...

Beverly Hills Cop: Axel F, the fourth installment in the Beverly Hills Cop franchise, understands what made the 1984 original (and its first sequel) successful and leans heavily into those strengths although some elements don’t play as well in t...

Tim Burton's name is on the credits but Big Eyes doesn't feel at all like the visually eccentric, gothic-tinged productions we normally expect from the offbeat director. Oh, there are some "Burton-esque" moments, like a vacation in ...